amitav ghosh the shadow lines::Shadows, like time, are both tangible and intangible at any given moment or realm of perspective amitav ghosh the shadow lines

amitav ghosh the shadow lines::Shadows, like time, are both tangible and intangible at any given moment or realm of perspective.
They are a fleeting, generically depicted, generally distorted representations of ourselves, and they can only be viewed in the proper light.
Ghosh manages to speak excessively of shadows, darkness and light, weaving them subtly into the context of what he is trying to convey.
He uses the terms both realistically and metaphorically to show that the shadow we cast, the one other people can see, is not always an accurate reflection of who we really are.
Nick was not the hero he seemed to be and when may reveals this to the boy, they are in the process of moving from light to dark, both in physical environment and knowledge of the truth.
While every human being casts a unique shadow, a common theme can be seen in them all, namely that they are just as much a part of us as they are detached from us.
This is another realm in which ghosh metaphorically uses the elements of shadow lines to tell his story.
Things hidden in the shadows, things which we cannot see though we can vaguely make out their outlines.
These are the traditional metaphors which ghosh cannot avoid.
Ghosh demonstrates that when secrets come out from behind the shadows and are exposed to the stark, revealing brilliance of daylight, they do not immediately evaporate.
The revelation of these secrets can have severe consequences, such as being kicked out of school or being labeled a liar.
While her first revelation caused him great embarrassment, her second was a truth he wished he could have faced himself long ago.
He is both praising and admonishing his late grandmother in a single breath.
Anything that is considered taboo, such as sexual relations between members of the same family, automatically quivers in the shadows of its own dark truths.
Both of the major truths that the grandmother exposed were laden with sexual taboos, which raises the question, should they ever have been exposed at all?
In light of the pain they caused, one would think not, but in a world in which truth is the foundation of evolution into maturity, how can one claim that any truth should remain unilluminated?
Should his feelings have remained in the shadows, he may not have endured this sharp, heartstabbing pain, yet he may have been subjected a long, slow torture instead.
The answer to whether this truth should have been revealed lies in which kind of pain the narrator finds less troubling.
The shadows that all human beings reflect are as unique to the individual as each written word is to a talented author like amitav ghosh.